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Sélection Kourtrajmé
ANDREA FERRARI, Fleur de nuit

In stock

Year 2020

Medium Print on Arches paper

Dimensions 38 x 27 cm

Edition 5

"I have a project of some small illustrations, often dealing with the absurd, sometimes with curiosity, in museums, in everyday life. This time, "à fleur de peau", about nature in our lives. Why find fake flowers, real ones under glass, or even representations, going as far as the imaginary. This series itself, like a mise en abîme. When I was able to observe these large works, all this architecture mixed and lost in nature, I saw a certain parallel. I liked to observe the work of Liam Gillick in particular. The architecture and the colour echoed a little for me. This was not nature in a museum, but a work in nature.

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The Artist

Originally from Normandy, Andréa Ferrari was among the first to apply to the l'École Kourtrajmé. “I was boarding on depression, and I came upon one of JRs books” she explains, at a time when she was making a living thanks only to short term contract work.

In 2015 she took part in the making of a widely praised short film which was part of the Nantes-based “48 hour film project”, involving the making of a short film in just two days.

Just as interested in photography and drawing, she often chooses to superimpose a sketch on a printed photograph to produce a finished, unique work. This multifaceted practice offers a certain freedom to the young artist, and brings a very graphic touch to her works.

Technical informations

Artists Sélection Kourtrajmé

Name of the work Fleur de nuit

Year 2020

Medium Print on Arches paper

Edition 5

Dimensions 38 x 27 cm

Signed Yes

Numbered Yes

Certificate of authenticity No

Artwork

“ I have a project featuring a few small illustrations, often rather absurd depictions, coming sometimes as a result of curiosity, in museums, in everyday life. This time “on the edge” of the nature present in our lives. Why find these false flowers, real ones under glass, or even representations, going as far as the imagination can go. This very series is like a mise en abyme, or a copy of an image within itself.

When I had the opportunity to see these great artworks, I saw a certain parallel between that all this architecture and the nature it was lost in. I particularly enjoyed the work of Liam Gillick. Its architecture and colour resonated with me. This was not nature in a museum, but an artwork within nature. “